Emmylou has always been a singer that focused on albums. Her music covered a wide variety of styles, but each album had its own style, although the changes in style became even more dramatic in the nineties. This compilation brings together tracks from all those differently styled albums from the mid-seventies to the start of the new millennium. If you are familiar with her more recent music via albums like Wrecking ball, Spyboy and Red dirt girl but not her earlier music, I must warn you that this is primarily a country music compilation although the last few tracks from those later albums.
During the seventies and eighties, Emmylou had many hits on the American country charts including five solo number one hits, all cover versions and four of them included here - Sweet Dreams (a Patsy Cline cover) is missing, but this is juas a single CD compilation. Emmylou's other country number ones were Together again (Buck Owens), Two more bottles of wine (Delbert McClinton), Beneath still waters (George Jones) and a live recording of Lost his love on our last date (Floyd Cramer). Emmylou's seventies and early eighties recordings are also represented by such classics as If I could only win your love, Boulder to Birmingham, Making believe, Pancho and Lefty, One of these days and Born to run, but (as any Emmylou fan will testify), a lot of great songs has been left out.
Emmylou also had a number one country hit with To know him is to love him (a cover of the fifties pop hit by the Teddy Bears) which she recorded with her friends Dolly Parton and Linda Ronstadt and which is also included here. We believe in happy endings, a duet with Earl Thomas Conley, also reached number one in the country charts but you have to buy Emmylou's Duets album to get that - it's not here. Two of Emmylou's many other duets are included - Love hurts (with Gram Parsons) and That loving you feeling again (Roy Orbison).
Country radio stations eventually lost interest in Emmylou's music, at which point Emmylou decided to change the direction of her career and the style of her music. Wrecking ball and the albums that followed it featured plenty of Emmylou's own songs. Although Emmylou had occasionally written songs in her younger days (notably Boulder to Birmingham and the songs for the concept album, Ballad of Sally Rose), it wasn't until the new phase in her career that she took songwriting really seriously.
This is a brief overview of Emmylou's career covering three decades of music. If you are on a limited budget or you only want a little of Emmylou's music, this may suit you ideally. The new generation of Emmylou fans who enjoy Wrecking ball and what followed but who are doubtful about the early stuff may also find this a worthwhile purchase - it will enable them to decide whether to commit themselves to exploring further. Country music fans, on the other hand, are likely to get more enjoyment from the double-CD Anthology compilation or by collecting the individual early albums.
